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verb tenses with the correct order; 8. and finally, the spoken discourse devised has to be cohesive. On
the other hand, Macro skills center on the biggest parts of the language like fluency, discourse,
communicative function, cohesion, nonverbal communication and strategic choices (Brown & Lee,
2015, as cited in Krisdiana, 2021). According to Brown (2004 As cited in Yahya, 2019), students must
achieve characteristics such as: 1. convince the listeners by connecting events with ideas, feelings and
information; 2. include discursive skills, styles, redundancies, sociolinguistic features and pragmatic
conventions within conversations to convince the auditors; 3. they additionally, can use facial gestures,
nonverbal cues with verbal languages, the kinesthetic and the body language are another form to
convince auditors; 4. use speaking strategies which integrate keywords, rephrasing, and providing the
context to interpret the words' meanings. Hence, the receptor makes it clearer in his transmitted
message; 5. and at least, be focused on the specific participants, situations and goals. As a result, these
skills should be integrated into one another instead of being separated (Yahya, 2019).
Drama Techniques
Drama techniques are a pedagogical tool within educational settings that permit educators to innovate
in their ELT strategies and promote children's EFL oral skills development. Therefore, drama
techniques permit FL learners to play through the scene as a form to comprehend the content taught in
a subject like English without memorizing rules and words. Moreover, drama techniques in the
educational context are fundamental to surpass the traditional method where the students' worlds are
considered in the aspects of the make-believe and the creativity (Bailin, 2011; Hulse & Owens, 2017,
as cited in Basaran, 2024). In fact, García Trujillo (2019) illustrated the creation of the scene, the alive
art of theater, and the emotional or physical tasks within theater training are being lost because of the
norms and formulas imposed in the academic environment. Alternatively, drama techniques allow
students to play with different roles of characters, perspectives, see the world surrounding them in
diverse angles and beliefs through role-plays and improvisation (Nilson, 2021, as cited in Basaran,
2024). Additionally, Korta (2022) said that drama techniques and improvisational games are helpful for
English learners because they support them to develop multiliteracies in their pedagogical framework
in a holistic way. In this way, drama techniques support the development of communicative skills
through didactic activities such as mimicking, improvising, relaxing and observing while they make the